By Priscilla Guy
Co-Founder of Intersection Project
Art Jobs are Jobs, Too....but how do we make it clear in people's mind? In 'our' minds......?
As an artist, I wish for my work to be recognized as 'real work', as a 'real job'. I am a professional dancer, I am an artist, I am a worker. I contribute to the economic development as much as a librarian or a taxi driver. I work hard to create and teach. I perform for audiences. I get paid, I use my creative mind to solve problems and create pieces of art. I constantly train and push my knowledge. I am a worker. But Jeffrey E. Salzberg's article expresses well how sometimes the larger society and artists themselves don't even think of art jobs as 'real jobs'.
To me this is the heart of the problem: as long as artists do not feel confident about the nature and relevance of their work regarding the growth of society, it will be impossible to envision art as an essential element of everyone's everyday life. Art, or 'Culture', is a crucial element of a society's development. We need to stop thinking we have to choose between funding Education, Health or Culture, for instance. They are all important to the economic, political and social development of our societies, and the challenge should not be to choose which one of these elements is more important than the other. Many people are trying to establish what should be a priority, although the real challenge is to find a way to support all elements that contribute to the grown of our population and make sure these elements support each other, as oppose to compete. Co-Founder of Intersection Project
Art Jobs are Jobs, Too....but how do we make it clear in people's mind? In 'our' minds......?
As an artist, I wish for my work to be recognized as 'real work', as a 'real job'. I am a professional dancer, I am an artist, I am a worker. I contribute to the economic development as much as a librarian or a taxi driver. I work hard to create and teach. I perform for audiences. I get paid, I use my creative mind to solve problems and create pieces of art. I constantly train and push my knowledge. I am a worker. But Jeffrey E. Salzberg's article expresses well how sometimes the larger society and artists themselves don't even think of art jobs as 'real jobs'.
I think there is something simple, yet incredibly powerful we can do as individuals, or as artists, to initiate that change in the mentalities.
A few months ago, while writing a text for Fabienne Cabado's Blog (Montreal, VOIR.ca) about the voice of artists in society, I decided I would change something crucial in the way I talk and think about my art practice as a professional artist: no apologies anymore about doing what I am doing, no guilt feeling anymore about being an artist.
I decided that because I have noticed artists tend to apologize for doing what they do when comes the time to share their research and practice with other people. As if we are being lazy, and selfish, caught up in an individualistic process when making art, and we feel we have to apologize for not contributing to the evolution of our society. However, art making reflects common needs, questions and hopes members of a society share. Art making is an act of sharing, an act of communication, and when communicating an idea or a concept, we do communicate it to 'another person'. So, in the end, art making is not an individualistic activity; it is ultimately turned towards others.
I decided, for my part, that I would stop nurturing this idea that artists are self-absorbed and individualistic people; we do what we do because we believe it will find echo in other people's head. Art making finds its nature and roots in the community, not in the individual.
Some artists tend to talk about how they are 'lucky' and how they feel 'privileged' to be artists. First, I don't think artists are 'lucky'. They made a decision, at some point in their life, to concentrate their energy toward creating art that conveys their beliefs. No artist is "lucky"; luck is a random thing that happens to someone despite themselves. To be an artist is not a chance; it is a decision. Second, even if artists feel enriched by expressing themselves through their art practice and even if they are rewarded by seeing audiences enjoying their work, it is no different than a doctor who feels rewarded by seeing their patient getting better after healing them. The processes that led to a successful creative work or a successful surgery both included struggle, hard work and talent. Artists are not more 'privileged' to feel rewarded and get that inner richness from the work they do. Many workers feel rewarded from what they accomplish everyday, and still we consider them to be 'workers'.
So in the end, if each of us who believe in 'Culture' and 'Art' as an essential components of a healthy society could envision art work as real work, and art jobs as real jobs, that could make a huge difference.
As artists, we could wait for everyone else to acknowledge the nature of our work, we could wait for everyone else to consider us as workers who contribute to the larger society. Or, we could simply claim it ourselves. What do you think?
"Capitalist production is not merely the production of commodities, it is, by its very essence, the production of surplus-value. The workers produces not for himself, but for capital. It is no longer sufficient, therefore, for him simply to produce. He must produce surplus-value. The only worker who is productive is one who produces surplus-value for the capitalist, or in other words contributes towards the self-valorization of capital. If we may take an example from outside the sphere of material production, a school-master is a productive worker when, in addition to belabouring the heads of his pupils, he works himself into the ground to enrich the owner of the school. That the latter has laid out his capital in a teaching factory, instead of a sausage factory, makes no difference to the relation. The concept of a productive worker therefore implies not merely a relation between the activity of work and its useful effect, between the worker and the product of his work, but also a specifically social relation of production, a relation with a historical origin which stamps the worker as capital's direct means of valorization. To be a productive worker is therefore not a piece of luck, but a misfortune." Karl Marx, Capital vol.1, Penguin Edition, 1976, p. 644.
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